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	<title>Comments on: Radio Dick &#8211; Rollercoasters and Literature Edition</title>
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	<link>http://citizendick.org/2009/09/27/radio-dick-rollercoasters-and-literature-edition/</link>
	<description>a cleveland/brooklyn based music blog, new music reviews, live music reviews, fashion, art, and walrus pelts</description>
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		<title>By: brian</title>
		<link>http://citizendick.org/2009/09/27/radio-dick-rollercoasters-and-literature-edition/comment-page-1/#comment-8930</link>
		<dc:creator>brian</dc:creator>
		<pubDate>Sun, 27 Sep 2009 18:42:57 +0000</pubDate>
		<guid isPermaLink="false">http://citizendick.org/?p=6128#comment-8930</guid>
		<description>Kevin has the benefit of Sundays, so he always gets to respond, which is bullshit.  So:

1. Understanding the work of pivotal artists actually is important to making a refined critical statement.  We&#039;re not purporting to be fans of modern music, we&#039;re purporting to be critics; as such, an ability to be conversant in artists who formed the genre(s) is a pivotal skill.  Dismissing someone with obvious and far-reaching influence (like New Order) is dangerous in that it weakens one&#039;s ability to gauge the value of new music.  If we were looking for an emotional attachment to music, we&#039;d be running a fan site; we&#039;re looking to respond critically to music, which is functionally different.

2. I didn&#039;t listen to New Order when I was seven.  I listened to the same horrible shit that you did.  I went out and found important music as I developed as a listener.  I have no sentimental attachment to New Order, just an understanding of their importance.

3. It seems facile to say that music isn&#039;t as important as literature, or that music is more transient and ephemeral.  If you wanted an alien to understand 1974, you&#039;d pass along Up For the Down Stroke before Fear of Flying.  (I think.)</description>
		<content:encoded><![CDATA[<p>Kevin has the benefit of Sundays, so he always gets to respond, which is bullshit.  So:</p>
<p>1. Understanding the work of pivotal artists actually is important to making a refined critical statement.  We&#8217;re not purporting to be fans of modern music, we&#8217;re purporting to be critics; as such, an ability to be conversant in artists who formed the genre(s) is a pivotal skill.  Dismissing someone with obvious and far-reaching influence (like New Order) is dangerous in that it weakens one&#8217;s ability to gauge the value of new music.  If we were looking for an emotional attachment to music, we&#8217;d be running a fan site; we&#8217;re looking to respond critically to music, which is functionally different.</p>
<p>2. I didn&#8217;t listen to New Order when I was seven.  I listened to the same horrible shit that you did.  I went out and found important music as I developed as a listener.  I have no sentimental attachment to New Order, just an understanding of their importance.</p>
<p>3. It seems facile to say that music isn&#8217;t as important as literature, or that music is more transient and ephemeral.  If you wanted an alien to understand 1974, you&#8217;d pass along Up For the Down Stroke before Fear of Flying.  (I think.)</p>
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