I used to find those crazy and implausible self-identified genre descriptions on indie band myspace pages endearing, or at least amusing. Now, when the latest indie songstress once again defines themselves as “zouk/concrete/death metal,” I tend to just roll my eyes. At least I do before trying to remind myself to get over my humorless self-seriousness.

Every so often, though, I’ll see a jumbled set of descriptors that make me wonder what such a band would sound like. Such was the case with the description recently provided me of Dragon Turtle: “ambient psych folk.” What? I didn’t know what to expect, but before even listening I knew I’d be writing something. Fortunately, the fellas in Dragon Turtle make it easy for me to write something nice.

Equal parts David Byrne, David Grisman, Akron/Family, and Rusted Root, Dragon Turtle indeed integrates the aforementioned descriptors and does so in a complex, challenging way. In other words, they sorta rule. One of the album’s stand-out tracks, “Island of Broken Glass” exemplifies this sort of complexity. A friend described it to me as sounding as if it could be the song playing over the end credits of a film, perhaps a non-lighthearted young romantic film that ended on a decidedly ambivalent note

Dragon Turtle – Island of Broken Glass