Not having summer employment provides benefits in more ways than just sloth and weight gain. I trolled over to Chocolate Bobka, which is where I usually end up when I'm looking for something ethereal or eclectic to put my ears to. Since we've been sort of absentee landlords over the last month or so, we've missed a few things. If this is your first taste of Pigeons material, expect an excellent start to your morning. The band just released Si Faustine via Olde English Spelling Bee, and additionally released The Curatorial Club 006, a cassette with brand new material and an entirely live B-side. The folks at Chocolate Bobka used the terms "luminous" and "intoxicating" to describe the TCC006 track, "en rêve," and these descriptors are more than pinpoint. I've grown so tired of lullaby synthesizers and if I'm going to be entranced, I'd much prefer some meat to the bone. Pigeons is satiating my ears like nothing else has over the last few weeks. It's sonorous and methodical, yet entirely expansive and wandering at the same time. Kettle drum percussion, interwoven synths and warbly guitar fills sit behind beautiful vocal harmonies. Si Faustine's "Wrong Man" has given my speakers a nice coat of darkened oil over the last two days. "en rêve" goes into the foreign realm, but it's equally as intriguing. Sweeping guitar fills bleed into a gripping solo. Yeah, sign me up. Pick up Si Faustine by clicking HERE.
The summer of remixes, begrudgingly, continues around these parts. How to Dress Well, to me, is an extension of the glo-fi movement, but there's something darkly sinister and unique about it with Twin Sister at the helm. This isn't metaphysical poetry here, but it's not Lincoln Logs either. It's relaxing, and no doubt, our writer Brian will be all over this. I'm putting this on background loop as I clean the kitchen. It beats the cats meowing….
Also, welcome officially to our new site re-design. Let us know if you see any random weirdness or have any suggestions.
Folks, if you weren't living underneath a big mossy rock last year, then you know how gorgeous Bonfires on the Heath was, right? It doesn't get more pristine and well-produced than that. Not only was it one of our Best Albums of 2009, but it was one of those albums that manages to fill the belly regardless of mood or location. The heavily orchestrated album weaved through a myriad of styles and instrumentation, never once abandoning the jazzy and psychedelic ethos that they've always maintained. In a surprising move, the band is quickly turning around and following their creative muses up the flagpole. Minotaur, a quick hitting thirty minute, 8-new track album is hitting shelves on August 31st through Merge. However, don't bank on this thing being available physically by that point, because it's being limited to 1000 copies. Enjoy the first taste of the albu, "Jerry," below. You can preorder Minotaur right now by clicking HERE.
Nearly one year ago today, James and I snuck up to the front of the side stage at The Pitchfork Music Festival to catch Jagjaguwar's newest flagship band, Women, for their stripped down and fairly mellow set. Their self-titled 2008 release received quite a bit of critical acclaim, and I'm a fan of the eclectic arrangment with solid-body rock core of most of their tracks. The band is releasing their sophomore effort, Public Strain (produced by Chad VanGaalen), the last week of September. The initial taste, "Eyesore" has me completely in a conundrum. Women always manages to foster the brooding sense of darkness in me, while keeping me completely addicted for more. "Eyesore" is the closing track of the record and has me fairly excited to see if the first part of the album toes the line in this direction. If so, this is going to be an excellent follow up.
I'm sitting here enjoying my coffee at Loop here in Tremont, and the daunting task of getting back into the swing of things at Citizen Dick involves getting up to speed with local things going on here in Cleveland. James is busy in Brooklyn, and we're over here sorting through all the LeBron James muck for signs of life. Luckily, starting on July 14th, The Rock and Roll Hall of Fame begins their annual Summer in the City concert series. Last year, Akron/Family zapped every last bit of oxygen out of the Cleveland lakeside air, and we're stoked to see an even heftier lineup of shows this year.
Here's the lineup:
Wednesday, July 14 – Carolina Chocolate Drops with Lighthouse and the Whaler
Wednesday, July 21 – Free Energy with Founding Fathers
Wednesday, August 11 – Deer Tick (Yeah!) with The Modern Electric (Double Yeah!)
Wednesday, August 18 – Trans Am with Megachurch
Sign us up immediately for the Carolina Chocolate Drops and Deer Tick show. The Modern Electric playing at The Rock Hall? Are you kidding?
Here are a few MP3's of the bands to whet your appetite. Stay tuned for more info as the dates near.
Carolina Chocolate Drops – Cindy Gal
Who is that dude with his jugular vein bulging out of his neck as he snarkily belts out power pop hooks big enough to travel on? Oh, that's Hutch Harris, that's who.
A sneaky secret – The Thermals 2009 effort, Now We Can See, never left my rotation once. We talked about Hutch Harris at length last year, and regardless of how polished and power-pop-esque the record was, I couldn't stop spinning it. As far as the power pop genre, there is absolutely nobody doing it as well as these guys. The songs are catchy, infectious, and injected with suprisingly intelligent lyricism. The band is poised to pull off a well-executed and fast turn around with the forthcoming album, Personal Life on September 7th. Although that's a ways off, you can snag the first single, being released in early August, called "I Don't Believe You." If this is the first taste of the upcoming album, fans can expect more of what they're used to. This album begins at high octane and ends just as energized.
On Record Store Day, we had the pleasure of having Portland's Casey Dienel (AKA White Hinterland) in town to play The Beachland to close out the festivities on Waterloo. Beforehand, she rolled in and hit a half-hour DJ set at Music Saves. We've had our hands on Kairos, WH's full length LP, for quite awhile and it's still sitting atop my playlist. Generously filling and hauntingly satiating, the album is beautiful from top to bottom. Trolling the internets for music has its perks. Here's her cover of Neon Indian's "6669 (I Don't Know if You Know)." I don't have a lot to comment on this one, other than I love both versions. Enjoy, pals of the interwebs.
Kevin and I don't work in the summer. Essentially, for three months, every night is Saturday night. We'll be taking full advantage of our fortunes in that department tomorrow night, when we take in Indianapolis's We Are Hex at The Happy Dog. We're excited to take in what appears to be a raucous, loud, engaging live act (check that video above for some credible visual evidence). We're also pretty stoked to sample Cleveland's newest hotspot (we know that The Happy Dog has been where it is for a good long while, but the ownership shifted, the dude from Momocho got on board and they're booking a metric ton of bands now, so we're counting it as a new thing; also, I'll be going with the saffron aioli). If you see us, the first beer is on John Petkovic. Good times!
(Editor's note: I only have three things to say about it: 1.) I told you that was going to be some seriously self-aggrandizing shit. You knew it was going south (lit. and fig.) when the stentorian announcer paid homage to the king over a series of highlights to kick off the festivities. "Where will the greatest person who ever lived decide to play basketball? The world will find out in mere minutes." Suck it. 2.) Miami is not going to be very good next year. Chris Bosh isn't as amazing as he thinks he is. Dwyane (sp?) Wade's middle name is Penny Hardaway. LeBron James, while phenomenally gifted, won't be able to cram his ginormous ego into the arena and he'll still shrink from big moments (see Game Five). And I'm on their depth chart at center. Mark this down: somewhere between 50 and 55 wins and a second round playoff exit. 3.) I'm proud to be a Clevelander. I love this city unconditionally and the presence or absence of a 25 year old douchebag doesn't factor into it. We still have a whole mess of douchebags in the Warehouse District, so I think we'll be fine. Go Cavs.)
Not a ton of introduction for the live tracks today; I just grabbed a couple of things that rule off of the sheld. Enjoy. First off, I felt like some Akron/Family. I like the tenuous titular link to recent current events and these cats always cheer me up when I'm feeling a touch bleak.
Akron/Family – Phenomena – Live
I've been pushing this track on strangers for a while. It's sad and thoughtful and perfect. This live version is particularly praiseworthy.
Magnolia Electric Co. – Whip-poor-will – Live
To wrap things up today, we've got another entrant in the Summer of Remix. Remember last year, when it seemed like everybody was doing something freaky with "Two Weeks?" This summer, the track that everybody wants to mess about with appears to be Local Natives' "Wide Eyes." Given that the best description of the band that I've heard is "sort of a west coast Grizzly Bear," their remixability makes some sense. (Sidebar: the quote comes from P4K . What does it mean that I quoted those cats? Am I slipping? Am I selling out? I could probably count the number of people who know the answers to those questions on one hand.) We've already posted this and this, but today's blast might be the best, if not the most danceable. This one comes from the laptop of Fool's Gold's Lewis Pesacov. While touring with Local Natives he "couldn't help but envision it as a southern rap joint, with its half-time drums and deep-azz bass-line." Agreed. This one even has a rap verse. Good times. Fool's Gold continue to tour; I'm optimistic that more remixes are on the way.
Local Natives – Wide Eyes (Fool's Gold Remix feat. Aristotle Pop A Bottle)
Sure we're a music blog, but today is LeBron's day and the rest of us are just waiting until 9 PM EDT. Though I generally concur with Brian's comments earlier and am well aware of the absurdity of this entire situation, I still can't pull myself away from hysteria. Collectively, we all have a vested interest in the outcome of tonight's shenanigans: three of us currently reside in Cleveland, I am a New Yorker via Chicago currently living in Brooklyn, and all four of us (I assume) hate Miami.
Say what you will about the Summer of LeBron, but at this point it's beyond anyone's control. The economy is still failing, there is more oil than water in the Gulf, the sun is melting most of the east coast, and all anyone can talk about is which professional basketball organization will be granted the honor of paying a 25-year-old egomaniac upwards of $120 million to play a game. Luckily this will all be over soon, but in the meantime I have compiled a playlist (with commentary) featuring all of the teams and cities involved in this spectacle. So at least we have something to listen to as we sit on the edges of our collective seats for the next nine hours…
Cleveland Cavaliers – Staying in Cleveland is the only option if LeBron wants to avoid being a complete villain. The problem is he would be coming back to the same team (minus Shaq) that hasn't been able to get it done the last three seasons. Clearly he wants to stay, as evidenced by his lobbying for Bosh, but if winning is the goal it will be hard for him to return. Signing on for another five to six years would require a leap of faith in the Cavs' ability to improve their roster in the very near future, but a big part of me wants to see it happen.
All-Time Quarterback – Cleveland
New Jersey (Brooklyn) Nets – Though I would love to see him stay in Cleveland, If LeBron is going to leave I would prefer to see him in a Nets uniform. I can't really back that up from a basketball perspective, and I highly doubt it will happen, but I am walking distance from the new arena being built for them in Brooklyn. It's unlikely that he would want to go to a rebuilding team, but the possibility of single-handedly putting sports back on the map in Brooklyn (and hanging with Jay-Z) could be appealing.
Marvin Gaye vs. Jay-Z + Lil' Wayne – Hello, Brooklyn
Miami Heat – As of press time, most experts are considering Miami the favorite. I happen to think that no matter how many rings James wins in South Beach, doing it on a glorified all-star team would tarnish his legacy. If we have learned anything about LeBron over the last month, it should be that he is far too selfish to share the spotlight with Wade and Bosh. For that reason alone, I think James in a Heat jersey is almost as ridiculous as this song.
New York Knicks – The Knicks are definitely still in the thick of things, despite having the weakest roster of the five teams in contention. If New York lands LeBron it will be based solely on the potential for off-court dollars and the allure of playing in the spotlight. They could be a contender a year or so down the road, especially if they land Carmelo Anthony or another big name next summer, but basing a decision on that could be a risky endeavor.
Chicago Bulls – At this point Chicago seems like a long shot, though it's likely that they would provide The King with his best shot at winning a title now and over the next few years. The shadow of Jordan could be plus or a minus depending on how you look at it, but the Bulls would be a legit title contender immediately and (maybe more importantly) James would be the unquestioned star on the team.
Sufjan Stevens vs. Yeah Yeah Yeahs – Maps to Chicago
I am omitting Los Angeles from the list because the Clippers have absolutely no shot. I'd feel sorry for our Los Angeleno readers, but they already have Kobe and I'm pretty sure most of them aren't even aware that the Clippers play in the same town. As a consolation prize, I'm going to throw some Tupac at you anyway.
Tupac Shakur – To Live And Die In L.A.
Feel free to get at us in the comments section you have any thoughts, rants, or rumors to share.
(Editor's note: I know that it is LeBron day. I don't care. I'm not even watching his masturbatory special on the television. Several Dicks and I will be taking in Small Black, Beach Fossils and Dreadful Yawns at the Grog Shop. I'll read about where the King of Douchiness and/or Douchebags decides to play basketball in tomorrow's paper. If he's back in Cleveland, I'll be happy, but will harbor resentment in my heart. If he's somewhere else, I'll throw D batteries at his head every single time he comes back here (I'll probably miss, as I throw like a sissy, but whatever.).)
I was mostly goofing when I called this summer the summer of remix, but our own Diamond Jim took me for serious and rolled on. I'll follow suit. We've got some doozies for that ass today, a couple of joints that you're going to want to blast when you're taking it down a notch, trying to slow your roll a tad to make time with the fillies, if you can dig it. The Prince of Ballard (whom you've probably heard of if you're wearing expensive jeans) describes his shit thusly: "my shit is ghetto and i'm in this stricktly [sic] for entertainment purposes." Sure, I can get down with that. We've got two tracks today, both of which mesh classic rap (Jay-Z in the former case, Easy-E in the latter) with neo-classic or legitimately classic funk (the Dap Kings and Dyke and the Blazers, respectively). Both work really well. I'm nodding my head as I type. Enjoy.
Jay-Z – 99 Problems (Prince of Ballard Remix feat. The Dap Kings)
Easy-E – Cruisin' (Prince of Ballard Remix feat. Dyke and the Blazers)
Continuing the Citizen Dick summer of remixes, we just got a brand new Edward Sharpe and the Magnetic Zeros track in our inbox literally moments ago. This Turbotito interpretation of "Desert Song" is a pretty radical departure from the original, bringing a decidedly electronic touch to the track. I don't think you will be hearing Edward Sharpe in da club anytime soon, but it's good to know that the possibility is there.
In addition to this new remix, the band is also offering a deluxe edition of their acclaimed Up From Below record, featuring live versions of "Up From Below" and "Carries On" plus the videos for "Home" and "Desert Song" and also a demo recording of "Home." Snag a copy of that HERE, then check below for the remix and original versions of "Desert Song."
Edward Sharpe and the Magnetic Zeros – Desert Song (Turbotito Remix)
Edward Sharpe and the Magnetic Zeros – Desert Song (Album Version)
Mrs. Citizen took the littlest Dick to music class; when they rolled out, I was kind of psyched to have the house to myself for a couple of hours. Been a while since I've had unfettered Brian time. But. It turns out my house isn't such a super fun place today. It's too hot to do anything outdoors. I'm reluctant to turn on my television, fearing bad news from LeBronapalloza. (In related news, I'll be having a press conference tomorrow night on ESPN2 to announce which music blog I'll be signing with for the 2010-2011 season. Citizen Dick has made a compelling pitch to retain my services, but I really want to go someplace where I can win multiple blogosphere rings. I'm not sure that I can do that with Kevin as my only low post option. Chris Broussard reports that Rob and I are considering signing together with a blog in South Beach.) I'm slogging through Although of Course You End Up Being Yourself, which, to be totally honest, is a touch dry. When it's not dry it's depressing, so I'm reluctant to keep banging away at it (it feels like more of a winter book). All this to say that I'm bored.
I do, however, have some good tunes to drop on you. We've got sensitive orchestral pseudo-folk from Pat Dougherty & the Second Hand Opera. (Fantastic name for a band, by the way. I'm always down with the Somebody and the Something routine. Pair that with the semi-nonsensicalness of "second hand opera" and we've got some solid nomenclature.) There's a big old emotional climax right around the three minute mark, which is worth the price of admission. I like the strings and I like the vocals and I like the catharsis, so this one is a winner. To keep with the summer of remixes theme, we'll wrap up today with a killer mash-up from Genghis Chron. I've long felt that DJ Shadow's catalog is rife with opportunities for re-mixes. Genghis Chron is on the same page, putting classic Tupac on top of classic track from Endtroducing…. Yes.
It is hot in Ohio. 93 yesterday. Low 90s today. Hot. Too hot to write sentences even. The "h" key on my keyboard just melted to my finger. Hot. What do you want in your earholes when it's hot? Rock and roll, baby. Straight ahead, kick you in the teeth, rock music. No cellos. No lyrics derived from a deep understanding of Wittgenstein. No synthesizers. Just guitars, sweaty dudes shouting choruses and hooks. When the sun is beating down, it's too hot to move, you want three chords and a punch in the mouth. You want The Sacred Broncos. Dudes listened to a bunch of rock music. Then they made some. "Runnin' Shoes" is a pitcher of lemonade for these climatically challenging times. Conveniently, The Sacred Broncos are bringing the noise to points east this summer. They'll hit both of the principal Dick constituencies (July 19 in Brooklyn at Don Pedros, July 22 at Happy Dog in Cleveland). More dates are available at their website. (In related news, I'm psyched to make my first visit to Happy Dog, a recently opened hot dog joint/music venue. Word on the street is that they have killer veggie wieners, so I'm way down.) Grab a deck chair and hit play on The Sacred Broncos.
The Sacred Broncos – Runnin' Shoes
I had a re-mix riff all prepped for Independence Day, but I went into a food coma and missed the window. The thrust was that America is founded on a re-mix, in that we took England, which was down-tempo chamber folk (monarchy!) and made it more awesome by turning it into high energy dance (democracy!). Meh. Lame. This Teen Daze track, on the other hand, is sweet.
As you fill your day with cookouts and booze, I thought I'd drop the hammer down with a bit of a buzzkill, brought straight from my home state, but with enough Akron punch to wake you up this morning. A few months ago, you couldn't turn on the local news without hearing about Anthony Sowell, the ex-marine turned serial killer that somehow managed to lure and kill 11 women and stow the bodies in various spots around his yard and house (he lived next to a meatpacking plant, and the residents on the street believed that the odor was caused from the packing process). The house currently still stands with a ten foot fence around the perimeter and Cleveland's finest sit outside 24/7 making sure the house remains empty.
Akron-based outfit, Fistula (which isn't typically the type of music we throw up on the site), still gets the nod today based on local ties, and at least partly because I remember how shockingly intrigued I was when this case began to surface throughout the year. Just as quickly as the news came out, the press died away much like the Cleveland winter. This song is screaming and loud, but that doesn't take away from the massive guitar riff that jars the listener immediately. It's a creepy, creepy song, perhaps amplified by the recent and echoing subject matter. Cleveland's on the map for quite a few unsavory things, but Sowell's exploits could have happened anywhere, and it's damn possible that's what makes it so disgusting. The guitar heavy barrage is infused with local news footage which makes it hit even harder.
On a lighter note, I haven't seen a metal concert in years, but I may be driving down to Akron to catch these guys. You can pick up Fistula's new EP, Goat, by clicking HERE.
(Editor's note: I am deep into the World Cup. My baby wakes up around 6:00 in the morning, eats and goes back to sleep for an hour or so. By the time he wakes up for the second time, the early football match is on the television. It's near perfect scheduling for my parental timetable. (Bill Simmons recently made a similar point on ESPN. I arrived at the same conclusion independently of Mr. Simmons. No plagiarism here.) Before the event (which I kind of anticipated loving, given my deep appreciation of curling, another mildly arcane world sport that I only give a shit about every four years), I identified the Netherlands as the team I'd support. My interest was spurred by this fantastic article about Ajax from the New York Times Magazine. That article led me to this book, which details all of the things there are to love about Dutch voetbal (total and otherwise). Dig this nugget from Dutch master Johan Cruyff: "The solution that seems the simplest is actually the most difficult one." Yeah! I'm fascinated by 1974 and 1978; the tragedy around the Orange reminds me so strikingly of my Cleveland Indians, that I'll support the Dutch forever. All that to say that the Netherlands beat the shit out of preening, pompous Brazil today. To stick with the baseball analogy, Brazil appears to be the Yankees, so I hate them. (Expect for that Pele cat; he seems cool). I'm excited. I feel good. And, if any of our Dutch readers can put us in touch with Wesley Sneijder, we'd love an interview. Also, Wesley's girlfriend is dead sexy.)
You know what I like? Soy protein, principally, but that's not of a lot of use here. I like it when the bands that I think a band listens to are the same bands that that band actually professes to listen to. I listen to the recently released, self-titled record from Cleveland's own Good Touch Bad Touch and I think: "Weezer, mid-period Pavement, Paul Westerberg, and Mudhoney." The sneering cleverness (probably used to mask vulnerability) on tracks like "Air" and "Everything I Wanted" reek of Cuomo and Westerberg. The distortion laced solo at the end of "Old Stories" owes a big old debt to Mark Arm. "All Things Considered" (possible a love song to Michele Norris?) taps a certain careless ennui that Spiral Stairs would (almost certainly) appreciate. That laundry list of references is important because they're apparent on the record; you can hear the bands that Good Touch Bad Touch love because those bands bleed through into the songs. Good Touch Bad Touch's "internet website" lists all of those bands as influences, which I think is refreshing. A cynic (or a hipster in expensive jeans) might call the record derivative. They'd use that word pejoratively and go listen to something unlistenable. I'd call Good Touch Bad Touch derivative in the best possible way. These dudes know what they love and they're reaching for it, taking the best of their hero's records and melting them into something new. Good Touch Bad Touch will be in my headphones this summer because I like the same bands that they like. I've heard Pinkerton ten thousand times. I'll put it on the shelf for a minute to listen to a band that also heard it ten thousand times. Also, I'm down with any band that can use "rarefied" competently in a lyric (as in the track below). Good Touch Bad Touch are clearly worth your time. Even better Northeastern Ohioans can catch them live today, July 3, at the Beachland. It's only a fiver and Good Touch Bad Touch translate really well live (we caught them a while back at the same venue; they melted faces).
In other news, longtime Citizen Dick favorites Young Buffalo have signed with Fat Possum. They are currently recording their debut long player, with an anticipated release in early 2011. Congratulations and good luck to those dudes. As we hear tracks, we'll let you know. In the meantime, they've passed along video for a song that seems to have developed a bit since we first heard it. It was the bee's knees then, and its evolution is satisfying. Dig.
Last up today, a brief word on the Toronto Island Concert:
1.) Pavement ruled. Absolutely lived up to my uber-high expectations.
2.) If you ever have a chance to see Broken Social Scene in Canada, do it. In general, bands bring the raw shit for their hometown crowd (MMJ in Louisville, for instance). BSS definitely brought the raw shit. Good times.
3.) Robert and I had many Canadian beers. They were hard to get in the venue itself, but they tasted delicious. Fix the beer scheme, Canadian concert promoters!
4.) Robert and I convinced Kevin (who was not in Canada with us) that we partied with Surfer Blood, who were in Toronto for NXNE, and then stole one of their guitars. In reality, we did not even see them, despite asking approximately ten thousand Canadians for directions to the Wrong Bar, where they were apparently playing a super secret show. Good times all around.
To commemorate our Canadian adventure, enjoy some live Pavement.
Given that today officially kicks off the annual celebration of America's independence, I thought it would be more than appropriate to share some good old fashioned bluesey rock and roll. I've always been a big fan of bands with that stripped-down dirty sound, so when I read the words "raunchy rock" in the subject line of Wake Up Lucid's press release, my ears immediately perked up. The LA trio self-released their debut EP Look Alive People, and are setting off on a small west coast tour in support. Sounding like a cross between Deep Purple and Black Rebel Motorcycle Club, I can only imagine that their live set would deliver in spades. I'm excited to hear more from these guys and hope that they bring their act eastward in the near future. In the meantime, crack open a cold brew, check out their new single "Black Hair Woman" below, and get a head start on that 4th of July weekend.
There's not much we can say about School of Seven Bells at this point that hasn't alreadt been said, but we wanted to give you a heads up that their upcoming record is currently streaming in its entirety on the band's website. Disconnect from Desire is set to release on July 13th, but you can hear the whole thing right now if you point your browser to SVIIB.com and enter your e-mail address. As an added bonus, the band is offering an early download of the track "Dust Devil" for fans who pre-order now. Check out the free download of "Windstorm" below and then head over to hear the rest of the album.
Every once in a while I get an e-mail about a band and I can instantly tell what they are going to sound like before I even listen to the track. Such is the case with France's Revolver. Named after the iconic Beatles record, these guys have been pretty huge in France for a while now and are just now bringing their act Stateside. The trio's debut record Music For A While, already certified Gold in their home country, is set to drop here in late August on Astralwerks. Based on the lead single "Get Around Town," I can only imagine that these guys are to France what Kings of Leon were to us Americans when they broke onto the scene. Just swap the southern blues for some jangly chamber pop and you should get the idea. I like to imagine this is probably what country music would sound like if it had originated in Paris rather than Memphis. There's a little twang, and overall the vibe is a little rough around the edges, but at the same time you can totally tell that's exactly what they were going for. Take a listen below and feel free to make your own journalistic analogies:
I'm not sure why, but we literally get daily e-mails full of random Don Diablo tracks. Well, maybe not literally but we really do get a shitload of them. On the whole we're not big on remixes, and I am personally even more averse to them than the rest of my Dick bretheren. In fact, it is rare that I even open a Don Diablo e-mail at all these days. Today's edition, however, mentioned The White Stripes, and as some of you may recall I have a serious man-crush on Jack White. I've listened to it once, and I really don't think I like it, but I figured maybe someone out there would have a greater appreciation so I figured I may as well share it. And if this sort of thing is your bag, you will be happy to know that Mr. Diablo has a proper LP coming sometime this fall. Me? I'll probably be sticking with Girl Talk for my occassional remix indulgement.


























