Tag Archive: Cold Cave


There's a strong chance that I've had a heat stroke; I did a poor job of hydrating while The Kid ran me through the paces this afternoon (walk to the library, splashing about in the water table, throwing balls, throwing more balls, building stuff with blocks, and so forth).  I'm on my second liter (litre for our international readers) of water in the last fifteen minutes and I still feel like shit. 

Remixes make me feel better.  This one's a winner, all smooth 80s deedly-doots over the first track from the most recent Belle and Sebastian record.  More details on exciting Cold Cave stuff is available here.  If you need anything else tonight, I'll be sitting in front of a fan.  Holler.

Belle and Sebastian – I Didn't See It Coming (Cold Cave remix)

Brooklyn's own Das Racist isn't the type of band that suits me, but abnormally, I find myself indulging guiltily in the wacky and inane universe they're creating.  The songs are simply catchy and variant.  They're sampling and dropping beats with the best of them, and this newest track, "Swate" hit Pitchfork and Stereogum earlier this week.  I've been spinning it ever since.  I'll never go completely over to the dark side of hip-hop fandom, but shit like this I can get behind.  They make me laugh, and it's cold and grey in Cleveland.  This song's repetitive loop is addictive and you're going to like it, too. "Only crackers win the lottery."  That can't be true, can it?

Das Racist – Swate

Thrill Jockey has always been one of my favorites.  They do post-rock better than any other mid-to-tiny size label in the country, and their several Jan/Feb releases show that there's no let down.  The upswing includes Eternal Tapestry and its upcoming TJ debut, Beyond the 4th Door (March 15th).  "Galactic Derelict" is a vast, expansive landscape of guitar crunch and soaring soloing.  Similar to their Thrill Jockey bretheren, particularly Pontiak and The Skull Defekts, Eternal Tapestry makes the kind of music the industry sometimes forgets about but desperately needs.  Sometimes I hate pop music and I hate pretentious hipsters even more.  This is not that type of music.  This is the gutsy psychedelia your father gushed over when he talked about Foghat, Sabbath and Floyd.  I want to see this band live and I want to do it after drinking lots of beer and whiskey.  I want to zone out into this big place they're drawing inspiration from.  Click the track and go someplace different yet familiar today. 

Eternal Tapestry – Galactic Derelict

I should probably just have you hit play on "The Great Pan is Dead" and leave the chit-chat to your internal dialogue.  I'll digress a bit, though.  This song is about as intense and heavy hitting as anything Cold Cave's done.  The track is the opening song from their April 4th release, Cherish the Light Years, and you should be careful not to blow your speakers or leave this one on in the car when you turn off the ignition.  The booming background distortion races and pummels through all four minutes of the track while soaring and gorgeous synths weave around it.  The melodious vocal intensity is pretty spot on for Cold Cave, and at its core, this pop track is insanely good.  It's a blistering wake up call if you've not heard it yet.  Chimes, blips and helicopter chopping riffs will get your heartbeat going today.   And tomorrow.  And the next day.

Cold Cave – The Great Pan is Dead

I hadn't heard much from Midlake lately so I was pleased to hear about their upcoming album of covers via LateNightTales (due out April 4th), which is a pretty nice compliment on the band's impact.  I know I wasn't the only blogger with his ear to the pulse with Midlake's release last year (although some folks found the need to bash it).  I still spin that record perpetually whenever I need that blast of British folk to surround me. Of course, "Roscoe" is still one of my top twenty favorite songs of all time.  This covers album is interesting, and they cover just about everything from Bjork to Blondie to, yes, Black Sabbath. This version of Sabbath's "Am I Going Insane" is uniquely done, and I've got mad adoration for the talent Midlake possesses.  Head on over to the band's website for more info on the release.

Midlake – Am I Going Insane (Black Sabbath Cover)

I remember when The Suburbs came out, and everyone and their brother was drooling over "Sprawl II" I just kept angrily mentioning that it was just "Heart of Glass" redone.  Nobody seemed to listen to me.  Thankfully, ABX from The Hood Internet did, and while I realize that everyone could hear the Blondie allegiance in Arcade Fire's hit last year, I'm not sure everyone quite understood exactly HOW MUCH it was ripped off.  However, the track was the catalyst for meaning and energy on The Suburbs and I absolutely love what this mashup does.  This is officially the first mashup I've ever posted on the interwebs (our writer Brian usually handles that job).  It's that good. 

The Hood Internet – Sprawl of Glass (Arcade Fire vs Blondie)

Detroit's Meadower is getting their first internet blog mention today, at least as far as I can tell.   One listen to "Fisher's Hook" had me eager to write.  While the band just released their first EP, 1994, on January 31st, the members have been at this game for quite awhile, each of them having quite a bit of work done previous to the band's inception.  The  six track album is available at the band's bandcamp site and I highly recommend picking it up.  "Fisher's Hook" shouldn't be pining away at bandcamp all by itself.  The track is super mature, developed, and laced with catchy jamming undertones.  The band is talented and worth the listen, for sure.  The marching band snare drums weave into rocking guitar fills with a post-punk feel, yet the band stays endearing with a pop-situated center.  The trebly and digressive chanting of "You can't have what you want," in the latter half of the track sold it for me.  I'd love to hear what you think.

Meadower – Fisher's Hook

 

If you’ve noticed, I switched up the format of Radio Dick over the last couple of weeks into semi-review mode as opposed to the bag-o-tunes mentality.  However, just this once, I’m going back to the old-school mode, specifically using the “I’ve got too much grading to do” argument.  The end of the first nine weeks just ended at the high school where Brian and I are gainfully employed.  This equates to very little time to write prose on the merits of these tracks.  Just take our word for it and check out each of these bands; most of these tracks just popped their heads out this week and, although I’m not writing much about each, they’ve all got my stamp of approval.

No kidding, folks, Halloween brings out the worst in kids.  Last night, kids from down the street ran through the neighborhood smashing jack-o-lanterns and spray painting graffiti on various houses.  Luckily mine was spared, but it begs the question, is morality shifting?  This week I did a little experiment to go along with my British Literature class reading of Sir Gawain and the Green Knight.  If you’re not familiar with that Arthurian tale, in a nutshell, Gawain shatters his honor and lies in order to, literally, save his neck from The Green Knight’s axe.  To pound home this idea, I passed out a quiz to my class.  What they didn’t know was that I had randomly placed three answer key quizzes with the answers already filled in.  I didn’t say a word and simply passed them around the room, half-expecting at least ONE student to chime in and let me know I had accidentally passed out the answers.  In the three courses I did this with all day, not one student raised their hand and took the honest route.  All students used the answers to their advantage and cheated.  Interesting, eh?

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When all of the students handed in the finished quizzes, I spoke to them about honor and integrity and Sir Gawain, then politely asked why nobody in the class thought to let me know I had passed out answers to the quiz.  Mouths dropped and students were shocked (mildly excited, too).  The cheating students (when given complete immunity) fessed up and most had no problem and said they’d do it again.  Maybe I got unlucky and accidentally passed out the answers to kids that would paint graffiti on innocent peoples’ homes.  Maybe they’ve just not advanced very far on Kohlberg’s morality scale.  Or, perhaps, we’ve got no hope left at all.  What was interesting about all of this is the dichotomy between what all of the students SAID they believed and what they actually DID in the heat of the moment.  Did I entrap them?  Sure.  A little.  Could they still have been honest?  Absolutely.

All this to say that Halloween has come to pass, and hopefully the kids were just charged up on chocolate and that explains the trashing of my neighborhood.  Musically, I thought at first about steering into Halloween based tracks like every other blog has done this weekend.  Instead, I decided to stick with the new music route.  Look for long-form album reviews of a lot of these artists as the tracks start to hit the shelves.  I’ll at least mention one of the tracks, “Floating Vibes,” by Surfer Blood, as I just received the album in advance last week.  The hype machine’s already rolling on this band and keep your eyes peeled for tracks as they start hitting the ether.  The album is fresh, unique, and reminds me of the game changing sound Weezer presented us in their debut release so many years ago.  I’m excited for this release, so at least enjoy this tune for now.  Have a good work week, and hit the gym to work off the sixteen bags of peanut M&M’s you downed last night.

Dominant Legs – Clawing Out At The Walls

Cold Cave – The Laurels of Erotomania

ARMS – Tiger Tamer

Surfer Blood – Floating Vibes

Mount Eerie – Wind’s Dark Poem

Yeasayer – Ambling Alp

The Soft Pack – Answer To Yourself

Glass Ghost – Mechanical Life

Field Music – Measure

Drink Up Buttercup – Even Think (Andrew W.K. Remix)

The Big Pink – Dominos (Switch Remix)