Tag Archive: Deer Tick


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I'm sitting here enjoying my coffee at Loop here in Tremont, and the daunting task of getting back into the swing of things at Citizen Dick involves getting up to speed with local things going on here in Cleveland.  James is busy in Brooklyn, and we're over here sorting through all the LeBron James muck for signs of life.  Luckily, starting on July 14th, The Rock and Roll Hall of Fame begins their annual Summer in the City concert series.  Last year, Akron/Family zapped every last bit of oxygen out of the Cleveland lakeside air, and we're stoked to see an even heftier lineup of shows this year.

Here's the lineup:

Wednesday, July 14 – Carolina Chocolate Drops with Lighthouse and the Whaler

Wednesday, July 21 – Free Energy with Founding Fathers

Wednesday, August 11 – Deer Tick (Yeah!)  with The Modern Electric (Double Yeah!)

Wednesday, August 18 – Trans Am with Megachurch

Sign us up immediately for the Carolina Chocolate Drops and Deer Tick show.  The Modern Electric playing at The Rock Hall?  Are you kidding?

Here are a few MP3's of the bands to whet your appetite.  Stay tuned for more info as the dates near.

Free Energy – Hope Child

Carolina Chocolate Drops – Cindy Gal

Deer Tick – Dead Flowers (Rolling Stones Cover)

The Modern Electric – As Sharp As Knives

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Just because we went on brief hiatus doesn't mean we've been bums.  Seriously, back off.  We've actually had a pretty killer two weeks, including another booze filled night with our Hometapes label pals, Megafaun, and a bunch of killer shows here in Cleveland.  James has been wandering the streets of Brooklyn looking for shelter, and found a swank pad in the process.  Justin's been all over this land peddling his liberalism to the masses.  Brian's been raising a child and finishing his comps, and Rob's gainfully employed again.  This update isn't largely important, unless you're one of our nefarious, hot, and frisky internet stalkers (folks, we're knee deep in them).  We know you've been wondering.

We've taken a short break listening-wise, too, and this is the most troublesome part.  We've not really been posting tracks as often as we like.  As we took this distance, we've not been dormant, but not really up to speed either.  As we get back on track, we'll do our best to make sure you do, as well.  Here's a few tracks that we neglected to get on the site over the last two weeks, including a couple from some of our favorite artists.  Megafaun dropped "Volunteers" via Pitchfork a couple of weeks ago, and it's the cat's ass live.  Brad Cook dropped us the unmastered version of the forthcoming EP, Heretofore, that includes this track.  They also played a couple others at the show at Beachland.  If you're not already on the Megafaun train, then snag the EP when it's released and hop on board.  Not only are they artists in the truest sense, but they're also showmen, and class acts.  The whole indie package.  We've also got a couple tracks from Harlem's long-awaited release Hippies  We loved 2008's self-released, Free Drugs, and this new Matador release brings more of the same IDGAF retro fun.  I'll round this out with Deer Tick's newest track, "20 Miles," frrom their forthcoming album, The Black Dirt Sessions out June 8th.  Deer Tick is another 2007/08 favorite of mine.  War Elephant still gets the repeat nod for me often.  McCauley's raspy voice is just what the doctor orders sometimes.  Coming off the interestingly unstellar Born on Flag Day this past summer, it's great to see that things are rising again.  Enjoy the tunes, and look for more as the week rolls on.

Megafaun – Volunteers

Harlem – Gay Human Bones

Harlem – Friendly Ghost

Deer Tick – 20 Miles

Dick Update

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LASERS

Full disclosure:  the end of the semester is insane.  I’ve got two mammoth papers to write, a grant proposal to wrap up, classes to teach and so forth.  I’m actually on blog hiatus.  I talked with my blog union rep and determined that I have enough service time to squeak out two weeks of only sporadic and/or weekend content.  This counts as sporadic content.  The next time you’ll hear from me is for our regular Lazy Saturday together.  While I’m here, sporadically providing content, I thought I’d give you the update on the rest of the dicks, paired with a musical embodiment of their whereabouts. (None of these clowns has official “hiatus” status, but you, dear reader, deserve to know a touch about their recent comings and goings.)

James - James’ birthday is sometime in the month of December. (None of us have the actual date, just an approximation; amongst other things, James is wildly paranoid about identity theft and, accordingly, releases very little personal information.)  In celebration of said birthday, James travels to the country of his actual birth, Equatorial Guinea, or, more specifically, the off-shore island of Elobey Chico.  Once per annum, to celebrate the confluence of  circumstance that brought him onto the planet, James returns to the land of his forbears, sheds all of his clothes and electronic devices and disappears into the African wilderness for a week-long “vision quest.”  Clad only in his lizard-like skin, James does battle with the elements, and emerges a stronger, wiser man.  He’ll be back soon.

James’ quest for the infinite feels like a Mudhoney song, slashing through the fuzz and feedback of tropical foliage, emerging with a nugget of truth.  (By the way, Mudhoney is playing all of Superfuzz Bigmuff at next year’s New York iteration of All Tomorrow’s Parties.  Barring some spectacular lottery win or something, I will not be in attendance, but that sounds pretty excellent.)

“In ‘n Out of Grace” – Mudhoney – Live

Rob - Rob was recently named Double Secret Offensive Coordinator of his beloved Cleveland Browns.  For public relations reasons, the team kept Brian Daboll as the public face of the offense, but Rob is calling all the shots from behind closed doors.  Rob has never held a football coaching position at any level before this recent assignment, so, understandably, he’s been a bit locked up.  Those three screen passes to Josh Cribbs in the fourth quarter Sunday, by the way, were completely Rob’s idea.  Not cool, Rob.  Not cool.  Assuming the Browns continue their decent in the seventh circle of football hell, Rob will soon be shitcanned and back in the blogosphere.

Rob’s futile efforts to make the Browns relevant feels like the distorted but blissed-out garage rock of New Zealand’s Surf City.  (I’m on the Surf City bandwagon late.  Their 2008 self-titled release is the bee’s knees.)

“Records of a Flagpole Skater” – Surf City

Kevin – Kevin is on the book tour for his recently released novelization of the third season of Golden Girls. Kevin has long written fan fiction focusing on poorly crafted eighties sitcoms, but this is the first one to be released to the broader public.  Turns out that Bea Arthur is a managing editor at Random House.  Kevin, in a fit of drunken excitement, e-mailed a draft of his Golden Girls novelization to all surviving members of the cast.  Bea loved it, inked Kevin to a deal and the rest, as they say, is history.  You can snag Back in St. Olaf at all major on-line retailers and can see Kevin tonight at the Albuquerque Barnes and Noble.  He’ll be “blogging” while on the road.

Kevin loves Deer Tick.  Deer Tick love the Golden Girls.  The Golden Girls love Kevin.  It’s a circle.

“Baltimore Blues no. 1″ – Deer Tick – Live

Justin – I’m not privy to fine details of Justin’s social calendar.  I know the following things for certain: 1.) Justin owns a helicopter and has the relevant licensure to fly it legally.  2.) Justin owns many leather-bound books.  3.) Justin has a finely tuned understanding of the American political system.  The rest is conjecture.  Could he be fomenting a revolution in some country we’ve never heard of?  Maybe.  Could he be on a  hovercraft, somewhere in the mid-Atlantic, listening to Dvorak with a host of models and bon vivants?  Possibly.  Could he be in an underground bunker, developing plans for a manned mission to Mars? Definitely.  The possibilities in Justin’s life are only limited by our imaginations; sadly, conversely, our imaginations are too small to conceive what he’s actually up to.  God speed, man!  Grab the brass ring for all of us!  (He’ll be back as well.)

Justin is a cipher.  So is George Clinton.

“Cosmic Slop” – Parliament/Funkadelic – Live

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(Editor’s note:  When armed with an inferior digital camera and a poor photographer, photos don’t always come out well.  Rest assured, we’ve given the cameraman his walking papers and are in the process of finding a new picture-taking thing)

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Monday nights aren’t always the best nights for concerts, so I’ve been mulling around for weeks with a chip on my shoulder; I’ve been excited Deer Tick was finally coming to Cleveland, but slightly peeved I wouldn’t be able to booze whiskey and shoot off guns before the show.  See, I have a day job, and it seems like every time one of my favorite acts rolls through town, it’s always on a Monday. Never fail. However, despite the near frigid wind chills and visions of Tuesday coffee a mere hours away, a surprisingly thick crowd scurried into the Beachland Ballroom to check out the Jason Isbell and the 400 Unit show with (one of my favorites) Deer Tick as the opener.  If a handle of Beam could be a blanket, I sure could have used the warmth last night.  Nonetheless, one blanketless night was well worth the pocket change to see John McCauley and band peform; an equally nice treat was snagging War Elephant on vinyl as I left the show stone sober but completely satisfied.

The obvious big draw tonight was Isbell’s band, armed with a new album and a legion of Drive-By Truckers fans, but Deer Tick was who I personally came to see. My colleague, Diamond Jim, is all about Isbell’s new release, and to be candidly biased, I’m just not a huge fan. While I can appreciate the work and back catalog of Isbell, I just wanted to hear “Baltimore Blues” and, if I got lucky, “Christ Jesus.”  The latter track missed the cut tonight, but the band was clicking from sound check to last track.  I was lucky enough to slip past the door guy to catch Deer Tick’s sound check where the band was belting out Godsmack tunes (jokingly) to test the mics.  I couldn’t help but recall the, now pretty famous, youtube clips of John playing in someone’s family room in Providence.

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Deer Tick began by showcasing a few new tracks from their upcoming June release Born on Flag Day, and there is a definite shift in sound afoot here.  The upright bass, oddly omnipresent in many War Elephant tracks jumps out into the forefront a bit more along with an added emphasis on electric guitar soloing and complexity.  Several new songs teetered on the edge of rockabilly blues, but maintained just enough edginess and slides into blue grass to keep it from falling off the cliff.  The songs from the new album were rock songs, for sure, and we can’t wait to see this album unveiled in a few months.  The middle portion of the show focused on the fan favorites.  “Baltimore Blues” and “Ashamed” drew quite a bit of the unknowing Isbell fans into the vibe.  Surely, a few vinyl copies were sold after the set.  In a nice twist, Deer Tick covered one of my favorite Springteen tunes, “Nebraska” and rocked the dark track out in fine swagger.

All in all, it’s the guitar work that leapt outward from the stage last night.  McCauley’s picking  in the recorded versions are slightly underscored by his booming and raspy vocals, but this was flipped in the live set.  Both John and lead guitarist Andrew Tobiassen played like they crept out of a Hank, Sr. record with a bottle of whiskey and a whole mess of pedals and distortion.  Numerous jamming solos and stomping head banging was not what many Deer Tickheads expected (or at least this one didn’t).  The closing track was a slow-cooked blues romp straight out of the past.  John’s steel slide and Tobiassen’s aggravated soloing crushed the audience to close everything out.

Begrudgingly, I had to leave the show after only a few songs of Isbell’s performance, but I obviously knew who I planned to write about today.  Deer Tick is poised for a huge release this June, and the sneak peek into the tracks promises much.  On a tired and freezing ass Monday, about 50 of us got a wicked taste of this promise.  Enjoy the crappy resolution on these pics.  My apologies.  In return, enjoy “Baltimore Blues No. 1″ and pick up War Elephant if you haven’t yet.

Deer Tick – “Baltimore Blues No. 1″

Snag Deer Tick at Insound

Snag Jason Isbell and the 400 Unit at Insound

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I ain’t no sissy…

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I like it when I see baby dolls get run over in the street.  I like tattoos, and when girls fight.  As my colleague James once said, “I like music that makes me a worse person, but in a good way.”  I like my guitars tuned down a half step, and when singers go after it vocally.  Since music, after all, is a convergence of artist and listener baggage, attitude is crucial.  I was weaned on 80′s hair metal, Adam Curry, Headbangers Ball, and all my dad’s old LP’s.  As much as I try to be an indie rock-snob, I can’t escape my past.  I suppose it’s tragic irony that I now co-run a blog site all about a wide variety of musical styles, forms, and mediums, and while I appreciate and will gladly latch onto many other genre, I’ll never ignore the importance of the blues, stack amps, and les pauls.  It’s ingrained.

So this 6-song installment from citizendick’s Best Songs of 2008 is hinged upon that premise.  I liked these songs because of who I am.  They sang to me again and again throughout the year.  When James and I found this broken doll lying on a dirty street in the south side of Cleveland a couple weeks ago, I envisioned this blog post.  It’s time to crack skulls.  A couple of these bands are psuedo-mainstream.  Doesn’t matter.  These songs are brooding and delicate.  Stomping and sincere.  Ghastly and protecting.

  • “Queens Will Play” by Black Mountain (Stomping, visceral, psychedelic, epic.  I could make a list of adjectives to describe how great this song is.)
  • “The Crippled Jazzer” by Marnie Stern (This entire album is an odyssey, but this track stands out as unique.  The central riff punches you in the face, and goes nicely with Marnie’s high-pitched voice and intensity.  I’m thinking this is the direction her third effort will go.)
  • “Baltimore Blues No. 1″ by Deer Tick (Although this technically came out at the end of 2007, it was re-released this year.  Bluesy, echoing guitar fills are right up my alley.  Get the whole album.)
  • “Waves of Rye” by The Department of Eagles (My colleagues laughed at me when I brought up the obvious Salinger allusion here.  This song is emotional, metaphoric, and dissonant in the most pleasant way.  The Grizzly Bear side project fires up all cylinders here.)
  • “Strange Times” by The Black Keys (My hometown boys, The Black Keys, do their thing so well.  If it ain’t broke, why try to fix it.  I still love the Thickfreakness days, but “Strange Times” could have come straight from that album and have been its best track.
  • “Drivin’ Nails in My Coffin” by Those Darlins (I like tattoos.  I like country with an attitude.  I like women.  I like catchy songs.  I loved punk when it was cool.  Yeah.  Sign me up.  I couldn’t turn this off in 08.)

I also can’t forget to give a shout out to the three folks in Guam that checked our page on January 3rd.  I’d also like to tell our one loyal reader in Peru that we see you down there.  Don’t think for one second we didn’t notice…..