Tag Archive: The Antlers


Editor’s Note:  Albums are already starting to stack up, and oddly, this week’s installment of Radio Dick offers a playlist of things to come (and probably fitting that most of these are heavy hitting acts with prolific careers already).  I’m starting to get the feel that many bands used 2009 as an off-season and this year’s going to fire off as a grand finale.  These tracks all span a variety of genres, from relatively unknown acts to the canonical David Byrne.  Everyone’s going to have their hands in the cookie jar this year.  Don’t expect consistency, and fully expect to have your ears tested.  Enjoy this week’s list, and check back often throughout this week for reviews of full albums hitting the streets this week.

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Inlets – Bright Orange Air – Inlets is the namesake of Sebastian Krueger,  a Brooklyn-based DIY producer who’s soaring and eclectic compositions won him favorable acclaim with 2006’s The Vestibule EP.  Since that time, he’s essentially worked with the entire “who’s who” list, including artists like Angel Deradoorian, DM Stith, and Feist.   His debut LP has been a long time coming, and Inter Arbiter hits the shelves on April 20th via Two Syllable records.  “Bright Orange Air” is essentially the second released track from the LP, as “Your Good Arm” was released in April of 2008 and is included in the mix on the new release.  I’ve hit repeat on this song six times.  Each listen uncovers a nuance I didn’t hear originally.   Sit back and enjoy.

Inlets – Bright Orange Air

High Places – On Giving Up – Rob Barber and Mary Pearson make up the duo High Places, and considering the blast off this track unveils, we’re excited to listen to their April 6th upcoming LP High Places vs. Mankind, out via Thrill Jockey.  A rather galloping back rhythm steers this far away from a rock song, but smoky vocals and some darkly atmospheric attitude leaps outward from this track.  If the entire album lifts off with this much gusto, you can expect it to land squarely in the middle of a ton of critical praise.

High Places – On Giving Up

David Byrne and Fatboy Slim – Please Don’t (feat. Santigold) – This collaboration has me tied in all sorts of knots.  Nonesuch is releasing Byrne’s concept album, Here Lies Love on 2/23, and it’s all centered around Imelda Marcos.   The only connection I have is remembering my father trying to explain to me that a woman in a far off land had a houseload of shoes.  This is all I know about Imelda Marcos.  Apparently, Byrne has enlisted the help of some heavy hitters to create the LP, collaborating with Norman Cook in it’s entirety and bringing in folks like Tori Amos, Santigold, and Sharon Jones.  Hit THIS WEBSITE to pre-order the release, along with all sorts of other goodies.

David Byrne and Fatboy Slim – Please Don’t (Feat. Santigold)

The xx – VCR (Matthew Dear Remix) – Detroit’s Matthew Dear picked up The xx and remixed “VCR.”  The xx was the remix closet for the latter part of 2009, and apparently, the tracks lend themselves nicely to remixing.  For me to throw two remixes on a Radio Dick post, I’ve got to either be really hungover or interested.  The xx wasn’t tops on the list for me in 2009, but if remixes like this keep showing up, perhaps I’ll need to give it another listen.

The xx – VCR (Matthew Dear Remix)

She & Him – In the Sun – Volume Two hits the shelves March 23rd and the first released track is solid, and our writer Brian is especially stoked for this release.  M. Ward isn’t my kind of thing, but the duo is producing noteworthy music, no doubt.  When Merge Records released Volume One, folks let the album embrace them, and based off my listens of the first, this track offers a natural blend and transition into the second installment.  I don’t think you’re getting any sort of new revelation here, but if you loved what the first collection of duets did for you, get in line for this release.  “In the Sun” promises more of the same goodness.

She & Him – In the Sun

Mumford and Sons – Little Lion Man – I give full props to Rob, our writer here, who clued me into this amazingly badass album that’s about to drop on the US side on February 16th.  “Little Lion Man” is one part chamber folk, one part cinematic musical, and about six parts of ass kicking intensity.  The rest of the album moves in the same vein, and if those of you reading are unhip to this act, hop on the train.  It will depart soon and you’ll lose brownie points with your friends.

Mumford and Sons – Little Lion Man

The Ruby Suns – Cranberry (Radio Edit) – I’ve included this as the cherry on top of the sundae today.  The upcoming album Fight Softly is set for release on March 10th, and this kind of fuzzy and loud marching band-esque track is earthy and global in nature and scope.  Morphed vocals, blips, angular shifts, and a whole multitude of ear-filling intrigue is sitting right here.   I’m not certain where this sound goes next, but we’re willing to dig into the full release proper in March.  Sea Lion in 2008 was a grand little album, and this promises more with the upcoming.

The Ruby Suns – Cranberry (Radio Edit)

Grizzly Bear – Boy from School (Hot Chip Cover) – While touring in Australia, Ed Droste recorded this version of Hot Chip’s song for Triple J.  I’m not an enormous Hot Chip fan, but I suppose any new content from Grizzly Bear is worth noting.  I love the stripped down model here, and the Australian folks who got him to record this deserve some heavy props.  We’re a little late in getting this out to you, but enjoy nonetheless.

Grizzly Bear – Boy from School (Hot Chip Cover)

Shearwater – Black Eyes – Shearwater is wandering into ambitious air in 2010 and have a killer LP and thematic opus in tow with them.  The Golden Archipelago is Shearwater’s third installment, and will be released by Matador on 2/23.  The sophomore effort, Rook, was vastly underrated, as the Okkervil River offshoot has continually produced stellar albums.  The Golden Archipelago may be the most ambitious to date, thematically centering around islands from around the globe, each track surrounded by its own unique back story.  Click RIGHT HERE to take a look at the special-edition materials that will be sold in conjunction with the lofty album.  The first track, “Castaways” was released awhile back, and “Black Eyes” steers into similar areas.  Large and satiating, this track has us stoked for the newest release.  We’ve been spinning the full album for a week now, and will have a full review as the release date nears.  Catharsis seems to be the name of the game here.

Shearwater – Black Eyes

Drive-By Truckers – This Fucking Job – Love or hate Drive-By Truckers and all the various solo offspring, one thing, for me, that’s impossible to dislike is the narrative element of our southern underbelly.  Patterson Hood’s Murdering Oscar is still sitting on the top shelf of my record collection, and hasn’t moved since I gave it an initial spin.  The Big To-Do is being released via ATO March 16th.  The newest release is supposed to steer more into anthemic southern rock, and this is fitting considering Jason Isbell and Patterson Hood’s most recent solo efforts.

Drive-By Truckers – This Fucking Job

The Antlers – Two (Buffetlibre Remix) – Since “Two” is easily my favorite track on Hospice, I was mildly revolted, but nonetheless intrigued to see a remix pop onto the web.  Like a mixture of “The Neverending Story” and a gazillion billowing synthesized movie anthems, this thing is actually pretty catchy.  I suppose taking The Antlers out of the equation would make this pretty horrific, but the major conrnerstones of the track are covered and left unmarred here.  Basically, it’s ripping the acoustic guitar out of the track and replacing it will rolling synthesizers.  As I leave this, I’m unaffected, but, I’ll admit, I played it all the way through.

The Antlers – Two (Buffetlibre Remix)

The infectious rhythmic strum of “Two” hit the blogosphere like a wildfire earlier this year, and, fittingly, the rest of the album wandered into the stratosphere just as quickly.  We’re hugely aware that Hospice is on nearly every major year-end list, and our inclusion isn’t obligatory.  The album is simply that good.  The soft underbelly of this album is, to me, the ease with which tracks impact the listener.  Nearly orchestral arrangements cleanse tension and force contemplation.  The lullaby beauty of “Bear” is fairly impossible to beat this year, and no matter which track listeners choose to chew on, an incredibly mature, complex, yet acessible album is what is left.  It was a great year for music, folks, but Hospice sets the bar pretty high for everything else.  To me, it stands pretty strongly with Veckatimest in lofty musicianship.  It’s about as pristine as they come, weaving everything into its mix.  Psychedelia, strings, synths, huge percussion elements, and the gorgeous harmonies are big enough to fill a stadium.  Or, perhaps more listeners hit this record like I do, alone, with headphones and and undivided attention.

I don’t have a lengthy list of attributes that I’ll attach to this album today.  That’s already been done, and everything’s been said about how great Hospice is.  Instead, to me, what’s important is how this album manages to isolate me.  When I’m listening to “Wake” or “Atrophy” I essentially leave everything else behind.  Perhaps one marker for a great album is how much attention it requires, and if I’m accurate, this requires more direct contact than nearly any album released all year.  Songs like “Kettering” somehow wire directly into my brain, the soft vocals sending me somewhere that can only be described as internal.  For many of the tracks, the hypnotic rhythm is what snags me most, particularly in “Sylvia” and the off-kilter fuzzy bounce pulls me in every time.

I’ve spent a great part of the year with a careful eye on hype, trying my best not to fall prey to it; I suppose I like to think that I’ll stay ahead of the game that way.  Nonetheless, many albums get hyped for a reason.  I’ll concede this one with ease.  Hospice deserves a top shelf housing in any modern music collection.  Its swirling anthems will remain with me long after the ball drops tonight.  If for some reason, this album passed you by, make it your first important purchase in 2010.

Check out the rest of our building “Best Albums of 2009″ list.

The Antlers Official Site

Buy Hospice at Insound now!

The Antlers – Bear

The Antlers – Two

This has been a killer week of coverage and reviews here at Citizen Dick, and I played absolutely no role in it.  I’ve decided to pop my head out from underneath the rock I’ve been living under to deliver today’s Radio Dick feature, and with quite a bit of regrets, I’ve not written as much as I like to this week.  As the music piles up around here, so do outside responsibilities, and while the other dicks have been writing up a storm, I’ve been sitting in a humid and non-air conditioned classroom this week making it look pretty for Tuesday’s grand opening.  This is quite the shame, as there are scores of excellent albums hitting the shelves over the next couple of weeks and while I’ve been on a mini-hiatus, my ears have been swirling.

One of the perks of writing for a more global blog is that we get to reach a pretty broad audience.  Theoretically, if I had a pressing philosophy or astute observation about our world, I could ship it out to a couple thousand people around the world fairly quickly.  Much like the asshole cops in my hometown, this affords me quite a bit of power, and if I’m not careful, I could develop a complex.  On the flip side, we love our readers and just to let you all in on a family secret, there are a lot of you that come back daily.  Not all of us are statisticians that keep a watchful eye on our website traffic, but a couple of us do.  A large percentage of you are coming back to read our words, and we’re really pretty thankful for this.  Subsequently, this means that I have an audience today.  Since I’ve got this luxury, I’d like to use this space to ask a few hard hitting questions of you.  I’ll do it in numerical fashion for the sake of readability and ease.

hhir__weiss_analysis_figure_2a

1.  Exactly how many “End of Decade” lists do you think you’ll read and agree with? Is this even important at this point? The photo above has something to do with album release quantities through the years.  I have zero interest in trying to dissect its meaning.  Rest assured, a couple of the writers here are super into this idea so we’ll probably have some form of decade wrap up on the site soon enough.  However, isn’t this entirely relative?  Also, who becomes the authority on this enterprise?  Certainly Pitchfork and the GvsB + Hipster Runoff conglomerate are notoriously important to read daily but I’m a little wary of allowing them to dictate my tastes to me with this type of mega-list. Carles, I read your site daily and love it, but you’re no more credible than I am when picking a definitive list of albums from the last ten years.  I have trouble sifting through the album pile from August alone.

zeitgeist-the-movie

2.  Have you ever seen the Zeitgeist documentary, and if so, what are your thoughts? This week, a girl I’m seeing shoved this gem in front of me, and because I’ve done zero research on the film, this question may come across as entirely naive and outdated.  I’m not normally a conspiracy theorist, nor am I much of a religious zealot either.  I found the film mildly amusing, primarily because they attempt to discredit the entire philosophy of religion, as well as the 9/11 attacks, but give zero credible resources to substantiate their claims.  I think much of the film is common sense, but I figure if I’m going to out two major narratives in history, I should probably unpack my bags and document a source or two.  I always want desperately to believe the UFO and ghost stories, but until someone hands me definitive proof, it’ll always be a sneaky mystery.  The religious section of the film was entirely satiating, I thought though.  It’s too bad it was in a sinister sort of way.

iphone

3.  Why doesn’t everyone in modern society own a smartphone yet? I sat in a two hour opening meeting yesterday about the future of technology and education.  The feature problem of this meeting is that the building administrators that created the presentation are two years behind.  I was bored out of my mind.  They told us about smart phones and how things could be synced up and how people could actually play X-Box with people NOT sitting in the same room as them.  Were they serious?  I had X-Box live five years ago.  As we left, I did a general survey and people all expressed the same sentiment: “I don’t understand you kids and your iPhones and Blackberries.”  Do I live in The Shire or do I live in a major metropolis?  There needs to be a government program to get everyone a smart phone, an email address, and a text messaging plan.  It’s all going to happen eventually, but the process of changeover is nauseating.  Does this make sense, dear readership? (Side note:  During the presentation, the superintendent called upon our technology coordinator to explain something.  He didn’t hear him at first because he was playing a cow shooting slingshot game on his iPhone.  The irony was thick.)

Essentially, there is very little journalistic value to today’s post, but those three questions do a pretty good job of summarizing the thoughts I’ve had this week during whatever free time I’ve received.  Musically, I’ve been spinning tunes endlessly as I prepare my room for the start of school.  The tracks on today’s post hit a lot of different arenas, but all are hot off the presses and buzzworthy.  As always, longer form reviews are planned for most of these, but for today, we’re just going to relax and play this list a few times.  As my Summer comes to a screeching halt, we all hope you enjoy your work week.  Keep coming back for the goods throughout the week.

Elvis Perkins in Dearland – Slow Doomsday

Pissed Jeans – Dream Smotherer

Lightning Bolt – Colossus

The Almighty Defenders – Cone of Light

Nite Jewel – Falling Far

Washed Out – Belong

She Keeps Bees – My Last Nerve

Os Mutantes – Anagrama

The Gossip – Love Long Distance (Fake Blood Remix)

Fever Ray – Seven (Crookers Remix)

The Antlers – Two

263x300-doctors_ordersWhen a single guy gets sick, what’s the best remedy?  I’m not a fan of the doctor’s office, so this is generally out of the question.  If there’s an OTC medication for whatever’s ailing me, I snatch it up at the local CVS and create a sort of DIY hospital in my bedroom.  I pop pills like a high school teenager whenever I catch a bug, and while I know this isn’t the best line of action, I still keep doing it.  Truth be told, I miss my mother.  She’s a long, four hour drive away and times like this week remind me that I don’t call her enough, and could probably use her nurse-like goodness several times a year.  This last bout was relatively unexpected.  Earlier in the week, I posted about how stoked I was to check out The Wooden Birds at Music Saves and Beachland Tavern.  I also raved about the upcoming Cotton Jones show and how I’d no doubt be slamming beers all Wednesday.  I also had this wicked conference to attend for 9 hours a day and my immune system decided to take a nap in the middle of all the chaos.  I missed all shows, nearly missed any blog posts, and generally holed myself up in my makeshift hospital crying for mommy.  It figures, too, because so much went down this week worth noting and discussing.  Such is life, I guess, but I’m back and healthy.  This is the good thing.  Today’s Radio Dick post includes quite a few tracks from upcoming albums, and some that have hit relatively recently.  I didn’t go to a doctor.  Who needs those hassles? I decided to spend my time reflecting on music and pills.  This seemed to draw me out of the muck.

Mj872James discussed his own Michael Jackson musings yesterday in his hodge-podge, and we’ve all been inundated with bizarre, heartbreaking, and unclear news blips at an alarming pace this week.  I wanted to share my own personal response to MJ and my opinions on the matter, as well.  To me, nobody’s going to question the outright brilliance of MJ, nor his influence on pop standards and culture.  It’s completely surreal to think of an American culture without even the wacky day-to-day news fodder MJ has enjoyed for the last ten years or so.  For people my age, this is probably the first major musical icon to die in our time.  Kurt Cobain, while tragic, isn’t in the same league as this one in my opinion.  When I think about the impact of this death, it’s horrifyingly similar to Elvis Presley’s death.  People are fingerpointing, autopsies are being redone, and at first, people speculated about whether or not it was real.  I’m awaiting all of the conspiracy theories this void will create, no doubt.  But, ultimately, I choose to mourn his passing for more personal reasons than anything else.  I remember my family sitting down at our radio when my dad first brought home the Thriller cassette.  We all sat around my family room listening to it over and over again.  The Florida vacation that year was straight MJ from Ohio to the Sunshine State and those songs are so firmly entrenched in my memory banks that no amount of time will dislodge them.  This, to me, is very important.  When one artist can so drastically paint a time period for our lives, all the weird baggage and oddball antics mean very little.  We don’t remember Michael because of Michael.  We remember him and mourn him because we mourn the loss of those times.  We connect all of those poppy jams with the rudimentary tasks of growing up in small towns, fumbling over our sexuality, swinging our first baseball bats, and a whole myriad of important youthful instances.  I never watched any of his interviews, or even gawked at the fall of the musical hero because of accusations or whimsical peculiarity.  Him dangling that baby over the railing had nothing to do with my memory of my father staying up late to watch the debut of the Thriller video, or how I took the Bad cassette into school to show everyone at my lunch table how cool I was.  Even in the later years, when tracks like “Remember the Time” were way too pop for my liking, I still heard the same MJ I knew from the early 80′s.  In his voice, I saw the red leather jacket and one glove.  I saw my family, and I saw my youth.  I think there’s a big gaping hole without MJ on the planet, to be quite honest.  At the same time, however, I found myself listening to tons of FM radio this weekend, and the outpouring and tribute onslaughts made me draw one key conclusion:  As a person, MJ doesn’t matter to me specifically.  As an artist, however, he was pivotal in who I am, and even with him gone, this enormously unique and iconic body of work is left here for us.  In the Radio Dick section, I posted a new Don Diablo track I got in my email yesterday, and it’s a nice tribute.

As for the remaining tracks, this one goes a bit more to my roots than the last few weeks.  Megafaun just allowed posting of “Kaufman’s Ballad,” one of my favorite tracks from their upcoming release, Gather, Form and Fly.  Fleet Foxes recorded a live BBC session earlier this week and a new track surfaced.  We have that, too.  The Avett Brothers twangy goodness is represented below in their latest preview track and Noah And The Whale’s newest track is blowing me away.  We’re going to be sponsoring Those Darlins in mid-July at Beachland, and we’re finally getting around to posting their new track, as the album just dropped this past Tuesday.  All in all, I went a little more countrified, but there are a few tracks here that hit the rap/bouncy/happy stuff, too.  I figured after all the craziness of this week, my Radio Dick post should be a bit sporadic.  Cheers everyone, and good luck with the daily grind this week….

Don Diablo – Song for MJ (Remember the Time)

Megafaun – Kaufman’s Ballad

Polvo – Beggar’s Bowl

The Avett Brothers – I and Love and You

Marina and the Diamonds – I am Not a Robot (Starsmith’s Remix)

Fool’s Gold – Surprise Hotel

Major Lazer – Baby (FIGURE Remix)

Those Darlins – Red Light Love

Florence and the Machine – Blinding

The Delfields – Ogres

Fleet Foxes – Blue Spotted Tail (Live from BBC)

Portugal. The Man – People Say

The Antlers – Two

Noah And The Whale – The First Days of Spring