Tag Archive: Times New Viking


Brookly based duo, Warm Ghost, has been blowing up the interwebs for the last 24 hours with the release of the "Open the Wormhole in your Heart" MP3 and corresponding video yesterday.  Paul Duncan and Oliver Chapoy have worked with a few of our favorite musicians, including Joe Stickney of Bear in Heaven, among others.  This track essentially blends the popular modes of 80's inspired electronic haze and vocal delivery.  It's hard to argue how catchy and ambient this track is, and the positive bonus is that it remains accessible and gritty at the same time.  Uncut Diamond, the forthcoming EP that includes this track, is out on February 15th via Partisan Records.  Stay tuned for more on this outfit.

Warm Ghost – Open The Wormhole In Your Heart

I have to move into at least one remix this week because it's killer. Stereolab comes back and has put together this rendition of White Lies' "Is Love" with pulsing beats that gently sear into the brain.  It's six-and-a-half minutes of goodness.  Most of this week, I've been diving into the rock arena, but this track has reminded me how great Stereolab is/was.  Check out the White Lies website to sign up for their email list.  Pick up Ritual while you are hanging around.  I've done just that, as well.

White Lies – Is Love (Stereolab Remix)

 

Yuck is a huge part of Fat Possum's early 2011 dominance and hype avalanche.  The self-titled debut hits the shelves on February 15th, and there are plenty of tracks floating around the interwebs to enjoy.  To begin, the album artwork is knocking my socks off in a really creepy way.  Go team.  Next, the tracks are fabulous, top to bottom, on the upcoming LP.  This particular track, "Coconut Bible" I caught over at Listen Before You Buy.  I quickly scrambled to see if I had missed something on my initial spin of the album.  This track is only available on a UK-released B-side of their other single, "Holing Out."  Wow.  There's nothing tricky with Yuck's style, but it's just good music.  I hear a My Bloody Valentine/Japandroids lovechild at play here. Catchy.  Pop/rock hooks with an avalanche of reverb holding the fort down.  The choruses are big enough to power a steamboat.  Glam.  Glitz.  I can dig it.

Yuck – Coconut Bible

 

I think it was two years ago during the Pitchfork Festival that we were curiously invited to a warehouse rave in an abandoned building somewhere in Chicago.  "Times New Viking will be throwing it down," they said.  We didn't really believe them, nor did we attend that shindig that night.  It's entirely possible that I have that all wrong.  I was several electric lemonade's deep by the time that night ended.  Sure enough, though, after a quick download or two, I was listening the band pretty regularly, sort of regretting not rolling over to the debauchery filled after party (if indeed it even existed).  All of this to lead up to the big news from this previous week.  Times New Viking has jumped ship and has signed with Merge.  They've got an upcoming LP, Dancer Enquired on April 25th.  That's a ways off, but "No Room To Live" will be on the album (it's previously been bounced around on a tour-only 7"…feel like I've heard it before).  Good news.  It's an excellent tune.

Times New Viking – No Room to Live

 

Brown Recluse is releasing Evening Tapestry via Slumberland on March 15th and this track is the first released song.  This one's only been quietly on my radar and I had not heard a song until this one.  We caught The Soft Skin EP a couple of years ago and I plan on paying a bit more attention as the release date nears for the LP.  I see a maturing, and perhaps an inclination toward music that will sell records here.  Expect to see this one rise in popularity as the days tick off the calendar. Once again, good news.  This track will fuel your Sunday cleaning if you have a repeat button.

Brown Recluse – Impression of a City Morning

 

Ponderosa feels like an old pair of gloves to us (the photo above is actually from the early EP from two years ago that got this band rolling), and to boot, we are loving their newest release Moonlight Revival over here.  This one has been a long time coming.  Here's our post from Feb. 20, 2009 discussing this upcoming record.  Good things come to those who wait, because this (Jan. 18 via New West Records) release has been mastered beautifully.  The Atlanta-based southern rock band is straightforward and fills the speakers with riffs to the rafters as any good souther-rock band should.  There's swagger and infectious energy in every track.  Moonlight Revival was searching for some smoothing way back in 2009 and it found it in the ears of Joe Chiccarelli, who also helped The White Stripes and My Morning Jacket.  That thumbprint is all over this thing, as well.  I fall for this kind of sound each and every time.

Ponderosa – Old Gin Road

 

This EMA track is completely off-kilter and will raise the eyebrows of our big cavernous late-90's angry-woman vocalist afficianadoes.  This track is one that needs to be listened to in its entirety because the last two minutes are well worth the wait.  This is a big song with synths melted together with dreamy vocals and dark and brooding lyricism (all underneath a big umbrella of sound).  This is the new project by ex-Gowns singer, Erika Anderson, if that helps with any frame of reference.  "The Grey Ship" is as hard hitting as it is ambitious. It jolts with broad strokes of horns, keys, and erratic drum patters.  Take my word for it.  Hit play and check your email.  Watch how your focus gets taken away from the task once this thing gets moving.  The full-length, Past Life Martyred Saints is set to be released sometime this Spring via Souterrain Transmissions.  Stay tuned on this one.

EMA – The Grey Ship

 

 

Rounding out our short MP3 wrap-up this week, we have a band that has been pushed to me in a roundabout way.  Our writer, Brian, picked this up via You Ain't No Picasso, and he then emailed it to me.  I've listened to the entire album twice via their bandcamp site and have also "named my own price" on the album.  The Leadership released Frontiers out into the world wide web last month and for the money, "Cocaine" is worth a few bucks and a download on its own.  However, preview the rest of the album and you'll be buying it like I did.

The Leadership – Cocaine

 

This aptly titled post is in direct reference to both Jimi and, perhaps slamming headfirst into a cliche, the way I feel this week.  This primarily applies to our regular readers and not those of you visiting for the first time to snag an MP3.  Our regular readers are pretty aware that I use this weekly feature to bring a personal side to our work here at Citizen Dick.  During the week, we typically take a verbose and analytical stab at reviewing the best in emerging music.  On the weekends, however, we’re just as likely to cover Jackie Treehorn’s garden party as we are music.  Call it my little stab at irony, considering that many of you are showing up for the first time to get the new Islands track as opposed to listening to me gloat about what a kick ass week I’ve had.  With a keen ear for sarcasm, I suppose this Radio Dick is right up everyone’s alley in some twisted way.  I get to write a diary of sorts, and you get free tunes.  On some level we all win, and that’s okay by me.  This week’s a little different, however, because I’d like to cross pollinate this post with personal and musical variety.

DD2

The first thing you’ll notice this week is that we’ve posted the new track, “Hands,” from The Dutchess & the Duke.  Their upcoming album Sunset/Sunrise on Hardly Art is already generating plenty of buzz even though the folks that share the Sub-Pop offices have done an excellent job of keeping this thing under tight wraps.  In our coverage of the Pitchfork Music Festival, James and I got the chance to catch their midday set on the first day and were immediately primed to hear this new material.  We’re going to hit a long-form review of the new record when we get it, but for now, we’re just happy to get a taste of a couple new tracks.  One of the first things we noticed in the live performance was how the busy Americana tilt was juxtaposed with some brazenly ominous lyrical content.  The band’s about as arrogant as a high school quarterback, nonchalantly busting through each track with outward disorganization, but yet a wicked underbelly of intelligence and smart guy musicianship.  It’s indie rock/folk at it’s finest and we’re stoked to hear this LP in full when it hits on October 6th.  You can pre-order through Hardly Art’s website today.

In other worthwhile news in my own world, school started this week and since I’m teaching 12th grade British Literature for the first time, I’ve got to create all of my lessons and material all over again.  For eight years I’ve taught the younger kids and it feels like I’m a first year teacher again.  Oddly, this has been entirely refreshing, and I’d encourage all of you to find something new at your place of employment.  Make a change, folks.  Monotony is such a taxing situation, and I’m experiencing this first hand.  I have a renewed spirit in the classroom, and things are going well.  My title to this post isn’t exactly about LSD or the wonders of inebriation.  Instead, it’s about my intoxicating excitement I’m feeling when I go to work each day.  I realize it’s only been a week, but I don’t see a letdown in sight.

Neil Postman

In my last little bit of babble for today, I’ve just been clued in on an interesting book Neil Postman wrote back in 1994 called The Disappearance of Childhood.  I’m familiar with Postman’s witty and post-modern philosphical works, having read Amusing Ourselves to Death and The End of Education quite a few years ago.  Oddly, this gem slipped past me.  The basic premise is that the concept of childhood is not really a biological reality, but instead a social construct.  Postman explains that our ideas of childhood actually began with the invention of the printing press, and that our current ideas of “adulthood” began when literacy became commonplace for the masses.  In other words, the older folk had access to all of the information and chose to give it to children in certain spurts.  School became ultimately important at this point.  In typical Postman fashion, he makes lofty statements and sometimes leaves ideas undersupported, but I find this entirely intriguing.  In the days gone by, looking at pictures of children actually shows kids dressing like adults and vice versa.  The division between adults and kids began when all adults had the capacity to digest media and read.  Kids began dressing like kids, and a huge division took place.  This was written years ago, but it becomes possibly more astute when looking at how media literacy is shortening that divide in today’s society.  Adults and kids dress more alike these days, and kids are experiencing “adult” things at a much more rapid and open pace than just two or three decades ago.  Because children a more socially literate and “see” things more rapidly than in the past, according to Postman, we’re jumping backwards to where this line gets blurred.  I suppose there’s not really a reason to banter about this on a Radio Dick post, other than to pass the read onto our readership and opine about how much this reinforces my enjoyment for what I do at work.  Language is so important, folks.

So as we enter another work week, here’s a grab-bag of tunes we’ve been spinning at Citizen Dick headquarters all week.  We’ve got some new leaks, a remix or two, and all get our stamp of approval.  Look for plenty of emerging music reviews for the rest of the week, and more discussion of these bands as their LP’s start to drop.  We hope you all enjoy your Sundays and getting back to the grind in a short 24 hours.

The Dutchess & The Duke – Hands

Islands – Vapours

Times New Viking – Move to California

Fool’s Gold – Nadine (Memory Tapes Version)

Slaraffenland – Open Your Eyes

The Postmarks – My Lucky Charm

Grand Archives – Oslo Novelist

Banjo or Freakout – Upside Down

The Swell Season – In These Arms

Headlights – Get Going